Arrow Video, with domestic sales and distribution
expertise provided by MVD Entertainment Group, has a new 4K Ultra HD edition of
auteur filmmaker Peter Weir’s Witness ready
for release on Oct. 31.
Aussie Peter Weir built his credentials as a filmmaker
with small budget, often unseen films in the late 60s and early 70s, and then
had a breakout arthouse film, Picnic at Hanging Rock in
1975 (domestic 1979). This was followed
by stateside commercial successes with Gallipoli and The Year of Living Dangerously (’81
and ’82 respectively) … and then comes Witness,
which almost didn’t get made.
The head of 20th Century-Fox at the time,
whose name shall not be mentioned here — because he has passed and can’t defend
himself … and because he had two chances to get it right and apparently didn’t
remember that Star Wars
saved the studio in 1977.
Paramount stepped in because they remembered Raiders
of the Lost Ark and its star, Harrison Ford. He made them a lot of money, so a film
budgeted for under $12 million was a no-brainer.
It was, for Weir his first “American” production, and
if the truth be known, he did everything absolutely right. Casting (Kelly McGillis was inspired), pre-production,
the shoot itself and the respect for the traditions and privacy of the Amish
community in and around Lancaster, Pennsylvania.
A young boy, Samuel (Lukas Haas — Babylon,
The Revenant, Alpha Dog, Solarbabies,
etc.), witnesses a murder while traveling with his widowed mother, Rachel (McGillis
— Top Gun, Made in Heaven, The House on Carroll
Street, The Accused), and Philadelphia detective
John Book (Ford) catches the case.
Simple, right?
No, it’s an inside job and both Samuel and Rachel are Amish … and are
now marked for death! Book has to
defend them … and he’s in no condition to so, and finds himself on the run in
Amish country, an alien place.
Witness
pulled in over $115 million for Paramount and was nominated for Best Picture, Best
Director, Best Actor (Harrison Ford — his only acting nomination) — eight Oscar
nomination in all, with wins for Best Original Screenplay and Editing.
The head of production over at Fox who decided
against Witness … he
lasted one year.
Bonus features include a newly-minted commentary
from film historian Jarret Gahan, video sessions with cinematographer John
Seale and film journalist Staci Layne Wilson, a vintage interview with Harrison
Ford (circa 1985), the featurette titled “A Conversation with Peter Weir” and
the five making-of-documentary titled Between
Two World.