Zeitgeist Films has
tabbed May 27 as the domestic DVD debut date for Romanian filmmaker Calin Peter
Netzer’s award-winning film, Child’s Pose (the Golden Bear winner
at the Berlin International Film Festival).
The ARR is 95 days and
ticket sales from the film’s limited arthouse run currently stand at $71,761.
After World War II the
British spawned a sub-category of dramas that were dubbed “Kitchen Sink Realism,”
which were basically films about class distinctions — ordinary Brits fought the
war and were now being asked (persuaded, shoved, pushed … pick one) into going
back to the pre-war social order. These
were angry films … they touched a nerve.
The Romanians, in the
wake of the fall of Soviet-style communism (and particularly after Nicolae
Ceaușescu’s departure) seem to be developing their own sense of film, which
some in the media have dubbed the Romanian New
Wave.
Class distinction — as
with their Kitchen Sink cousins — plays a role, but with an interesting twist. Among some there is a desire for the social
order and perks (and the certainty) that went with the all-powerful central
state government of the past. If you
were connected, things of consequence could simply be put aside.
Netzer hits this class
“warfare” hard with the introduction of Cornelia Keneres (Luminita Gheorghiu),
a woman of wealth and connections, who works very hard at trying to control
(dominate) her son, Barbu (Bogdan Dumitrache).
He’s a slacker, born of privilege by Romanian standards (hint:
Eurotrash), who lives off his mother’s largess, but does little to show his
gratitude.
She spies on him (by use
of the cleaning lady) and can’t stand his latest choice in women, Carmen
(Ilinca Goia), who, in her own way, is nearly as delusional as Barbu’s mother.
With these introductions
safely tucked away, Netzer launches into the core of the story with a drunken
Barbu mowing down a young peasant with his car in some backwater town on the
outskirts of Bucharest. Mom to the
rescue, where you get hammered with the notion that if things were the way they
were, this could be simply dealt with … a bribe here, a favor there and the
“issue” would go away.
It is frustrating for her
that so much work has to go into fixing such a little thing. Corruption, while still there, just isn’t
what it should be.
It many ways, especially
in the light of the Russian Bear stirring of late, Cornelia is something of a
representation of someone being rooted in the past (the order of things). This desire seems to be once again growing in
power, while her son — the future of Romania — counters with little to offer
but depression, a sense of hopelessness and a metaphor for a generation that
could be ripe for the picking.
Child’s Pose is a provocative film, presented in Romanian with
optional English subtitles and complete with bonus goodies that include deleted
scenes and a making-of documentary.
To download this week's
complete edition of the DVD and Blu-ray Release Report: DVD & Blu-ray Release Report
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