Icarus Films will be teaming with The KimStim
Collection on May 28 for the domestic DVD debut of documentary filmmaker
Christian Frei’s Genesis 2.0.
Back in 1990, sci-fi writer Michael Crichton
conjured up a bit of fiction that he titled “Jurassic Park,” which was brought
to the screen three years later by Steven Spielberg. Jurassic Park was
a huge hit theatrically and it has spawned a whole film franchise that could go
on forever.
Of course it is silly to imagine a bunch of
scientists tapping into the DNA of an extinct species and bringing those
creatures back to life. But hell, it was
(is) great fun to see Velociraptors and everyone’s favorite, the T-Rex, running
loose once again.
But what if the fiction of Crichton’s “Jurassic
Park” was the stuff that dreams are actually made of … and what if those dreams
are the purview of geneticists who are actually working on bringing extinct
species back from the grave?
Documentary filmmaker Christian Frei
(Oscar-nominated for his 2001 film, War
Photographer) teamed with adventure
cinematographer Maxim Arbugaev to interweave two stories — a half-a-world apart
— into one where sci-fi does indeed meet the world of science.
Frei works the circuit of researchers engaged in
cloning and genetic research, while Arbugaev journeys to the remote New
Siberian Islands, where access can only be had a few precious weeks each year —
a place every bit as remote as the research station at the South Pole.
It is here that Arbugaev chronicles the search for
Mammoth tucks in the frozen tundra — worth their weight in gold (in China) —
and the discovery of an intact woolly mammoth, complete with frozen blood (the
stuff of DNA). So dangerous is the trip
to this remote outpost that Arbugaev was able to capture on film a polar bear
raid on their primitive encampment — a life and death struggle for outright
survival again a trio of ravenous hunters, who know no fear of man.
The whole process of “weeding out” genetic material
(disease cures) and the recreation of long-gone animals gives rise to all sorts
of ethical issues, which are touched upon in Frei’s Genesis
2.0. At
what point does the fiction of Spielberg’s Jurassic
Park film franchise meet the real world of
genetic engineering? Where is the line
— these days — between science fiction and science reality?
Genesis 2.0 is
presented in English, with some Russian (English subtitles when appropriate).
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