The Home Entertainment
world revolves around movies. Sure,
there are lots of other product options — Special Interest, Sports, KidVid, and
on and on – but the big money is to be found in those gems mined from the
theatrical market place.
It is still early, but if
the January release trends at the local multiplex don’t begin to pick up some
steam as we move toward a winter thaw and into the glories of spring, 2013 is starting
to show all the signs of gearing up to head off of a cliff.
The question is: Are we
at the end of a cycle and about to head in the other direction, at least in
terms of new theatrical releases?
The last time the
industry pulled a u-turn of this nature was during the summer of 2008, which,
also corresponded to the financial markets heading off of a cliff of their
own. Not to say that there is a
connection, but it does give one pause to think about what all of the little
lemmings are lining up to do.
From the peak of 650
films opening theatrically to the bottom, roughly two-and-half years later, 140
films simply disappeared off of the annual theatrical release schedule. Mainly little films, where producers and
their partners concluded that it wasn’t worth the money to open the film
theatrically, even with a digital projection option (not having to bear the cost
of 35mm prints).
The current doldrums
could have several — and very reasonable — explanations.
First, there could be tardy
reporting (or none at all) from some minor/indie theatrical releases that may
have played a venue or two during the month (they could come late to the party
and the numbers would be revised upward).
These films and their backers might not part of a reporting service … or
the gross was so dismal that it would be a negative in announcing it.
Secondly, the holdover
performance of the Christmas-season films could be a blocking factor in opening
up screens. Weather also has to be
considered. But these are usually
factored in when release schedules are set months in advance.
Whatever the reasons,
January is currently tracking at a dismal annual output of just 420 films. You would have to retreat all the way back
to 2002 to match such levels.
As we said, it is early yet and much could happen in the weeks and months ahead to bring the annual output projection back into the 580 to 620 range. Stay tuned.
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