Writer/director Anna Biller’s The Love Witch, a
beautifully mounted horror yarn about a witch named Elaine, arrives as both DVD
and Blu-ray product offerings from Oscilloscope Laboratories on Mar. 14.
The ARR is 123 days and domestic ticket sales from the film’s
limited major metro theatrical run are $191,476.
Great beauty can drive a woman mad. This is the fate that plagues Elaine (Samantha
Robinson — Sugar Daddies, Labyrinths), who is not only incredibly
beautiful, but sexy to the point of being sinful.
She is also a witch, who finds that her spells and her appearance
drive men mad with desires … desires that ultimately consume them. Elaine can’t have a normal, loving
relationship, rather she is a flame that burns brightly and men are willing
moths drawn to that flame and their own destruction.
What makes this tale all the more inviting is the way in
which filmmaker Anna Biller has constructed it. First, the cinematography by M. David Mullen
(noted for his work on such films as Northfork, Twin Falls Idaho and Akeelah
and the Bee) is seemingly a stylistic throwback to 60s and 70s genre
films — you half expect Barbara Steele to appear in a scene from a 4K transfer of
one of her vintage horror flicks from the period.
Secondly, Biller — and we are only guessing here — appears
to have seen her fair share of Hitchcock films.
The framing, rear-screen sequences and a number of exterior shots appear
to be an homage to the master.
After losing her husband, Elaine takes to the road in effort
to get away from her past (police are also curious) and to find a new
love. However, her spells often end up
with unintended consequences — that would be dead lovers — so its try and try
again. Which leaves her repeatedly
alone and somewhat malicious in her desire to satisfy her needs; sympathetic
and yet monstrous.
Bonus features include commentary from filmmaker Anna
Biller, who is joined by cinematographer M. David Mullen and actors Samantha
Robinson and Jared Sanford, deleted and extended scenes, a newly prepared video
session with M. David Mullen and a behind the scenes video with Anna Biller.
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