In today’s media culture, with its landscape
littered with grievance and social justice warriors, writer/director Robert
Downey, Sr.’s 1969 “Truth and Soul Movie,” Putney
Swope, could not be made … and if did get funded
and produced, it would be attacked seven ways from sundown as being racist (and
more).
The same holds true for Mel Brooks’ Blazing
Saddles … screams, the hysterics
associated with the double feature presentation of Blazing
Saddles and Putney
Swope would be too much to bear … the shame of it!!
There is, however, an appropriate reply to such
nonsense … “geyn funt zamd” (Yiddish for “go pound sand”). Putney Swope
still packs the same satirical punch today as it did in 1969 … and with the
news from Vinegar Syndrome this past week that a new 4K restoration “from
various 35mm pre-print elements” (not quite sure what that means) will be
available on June 25 as a newly-minted Blu-ray/DVD Combo Pack product offering,
film buffs, fans and uninitiated can join the “go pound sand” movement.
Putney Swope (Arnold Johnson — Shaft,
Menace II Society, etc.) is the “token black”
(literally) at a large “Madison Avenue” advertising agency. He is there for “color” only and as the film
begins, Putney, and the rest of the agency members are gathered in the conference
room to hear “Mario” (played by David Kirk), the chairman of the agency,
speak. Mid-sentence, he drops dead and
with his lifeless body sprawled across the table, the members of the agency are
informed that they must elect a new chairman.
Everyone starts to vote — remember, Mario is dead on
the table, no paramedics, nothing — when they are further informed that the
rules of the election stipulate that members of the firm cannot vote for
themselves. All of the ballots are
crumbled up and tossed to the floor. Negotiations begin, but each of the members quickly come to the
conclusion that these will be fruitless, so they look about the table, think
about it … and then cast their votes.
This brilliant opening sequence from Robert Downey (Greaser’s
Palace, Pound, Chafed Elbows) sets the tone for what
is to come. All of the members arrive
at the same conclusion. They vote for
the one person that no one else will vote for … the “token black,” Putney
Swope, who is overwhelmingly elected the new chairman.
“The Truth and Soul” agency is born. By film’s end, there will be a token white
(“if we give you a raise, everyone else will want a raise … and you’ll be right
back where you are now”) and the promise of change (complete with those
marvelous color commercials) will have been corrupted to the point where
nothing has change. Political and
social satire — and indie filmmaking — at its very best!
If you have a film library, Putney
Swope is a must (and look around for a copy of Greaser’s
Palace while you’re at it)!!!
Bonus features included with Vinegar Syndrome’s Blu-ray/DVD
Combo Pack release of Putney Swope on
June 24 include two commentary options, one featuring writer/director Robert
Downey Sr. and the second with film critic and historian Sergio Mims (co-founder
and co-programmer of the Black Harvest Film Festival at the Gene Siskel Film
Center).
There are also two vintage video sessions with
Downey (2001 and 2008), a Q&A session from the 2005 Philadelphia Film
Festival, a video session with cinematographer Gerald Cotts and a “massive”
archival article and promo gallery.
Rounding out the June 25 release slate from Vinegar
Syndrome (all being released as Blu-ray/DVD Combo Packs) are Taking
Tiger Mountain, which has a production history
as interesting as the film itself; director John Huckert’s 1985 film release of
The Passing;
and, director Jeffrey Arsenault’s 1993 vampire/murder-mystery thriller, Night Owl.
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