Image Entertainment has
tabbed Apr. 16 as the DVD debut date for writer/director Turner Clay’s
zombie-plague thriller, State of Emergency.
You can’t say “zombie
thriller” without it immediately being followed by someone saying: “Oh please,
not another damn zombie movie!” But
hold it right there, State of Emergency takes a slightly
different tack on what is well-tread and all too familiar ground. Genre-fans will be pleased with this one …
and the curious should take a look as well.
A chemical plant goes up in
rural Kentucky and releases a toxin into the atmosphere that attacks the
central nervous system of those individuals unlucky enough to be downwind. They are, however, not the walking dead … not
dead at all in fact, just messed up with some really nasty side effects from
their exposure to the chemical cloud.
These symptoms include festering, rotting skin, bright red eyes and a
desire to attack and consume those not infected by the “disease.”
We see events unfold —
often through cleverly staged flashbacks — through the eyes of a local rancher
named Jim (Jay Hayden — as Davis on the Battleground TV series, plus such
films as House Bunny, A Warrior’s Heart, etc.). He’s able to piece together what is going on
and quickly learns that he’s inside the quarantine zone. He also learns that painting “HELP” on the
rooftop for passing military choppers to see can get him killed … he’s on his
own.
There are other
survivors, including a man named Scott (Scott Lilly — Fading of the Cries), who
has fortified a local warehouse (be sure to check out the name on the building …
that’s got to be an inside joke) with his friends Emilie (McKenna Jones) and
Alex (Tori White).
This is where the quartet
will make their stand, but even if they are successful against the
ever-increasing numbers of their infected neighbors who come knocking at their
door, they still have to figure out a way to get out of the quarantine zone
before they are zapped by “friendly” fire.
State of Emergency is part old-school (think: Dawn of the Dead), with
some nice tweaks, including a twist-ending that is nicely hidden by the
structure of Clay’s storytelling.
Bonus features include deleted scenes and two production featurettes.
Bonus features include deleted scenes and two production featurettes.
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