Oscilloscope Laboratories
announced this past week that writer/director Carla Simón’s Summer
1993 will be making its domestic home entertainment rollout as both DVD
and Blu-ray product offerings on Sept. 18.
The ARR for the film’s
arthouse theatrical run comes in at 116 days and box office receipts were a
pleasant $180,294.
From the antecedents of
filmmaker Carla Simón — and, of course, the press surrounding the film’s
release — we learn that this is an autobiographical film about a life-changing
event in her life. The year, 1993, is
also an important point of reference.
With that said, Simón
does something with the narrative that is not backwards looking, but instead presented
from the prospective of a six-year old child. This is important in understanding the film’s
narrative.
Think in terms of the
biblical quote (from 1 Corinthians 13:11), “When I was a child, I spoke like a
child, I thought like a child, I reasoned like a child.” Of course, the now adult filmmaker, as one
who has given up “childish ways,” could reinterpret and present her childhood
experiences in a different light. But
that would be a different film.
Things that seemed odd
and scary back then, were nothing more that worried adults dealing with some
pretty horrific issues at hand — things that they did not fully
understand. The next verse in Corinthians
is often quoted (1 Corinthians 13:1) to convey such things, “For now we see
through a glass darkly …” (perhaps a little out of context).
In any case, Frida (Laia
Artigas in her film debut) is an orphaned six-year old child. Her parents — although not overtly expressed
in the film — have both recently died of AIDS and she has been sent to live
with relatives in the countryside. From
her point of view, simple fun time things with her cousin Anna (Paula Robles) can
take on ominous tones … why are the adults so jittery?
In retrospective, Simón
knows that they were anxiously awaiting lab results to find out if she too was
HIV-positive. To a child, there is no
understanding of this. Instead the summer of 1993 passes, with adults
doing their thing and the little girl having fun and enjoying what pleasures
and childhood illusions that she can.
In the end, Summer
1993 is a lyrical film, not for children, but for adults who were once
children, especially children who have lived through tough times, but still
managed to find the joy in just being a child.
Summer 1993 is presented in Catalan with both optional
English and Spanish subtitles.
As to bonus goodies,
there are deleted scenes, rehearsal footage and two production featurettes —
“The Making of Summer 1993” and “Carla’s Childhood in Frames.”
Additionally,
Oscilloscope is including two Carla Simón’s earlier short films, Llacunes
and Las
Pequeñas Cosas.
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