The annual South by Southwest Conference &
Festivals — or simply SXSW for short — brings together film, music, online
professionals and creative talent to showcase their latest endeavors.
At the gathering in March of 2017,
representatives from Oscilloscope Laboratories were on hand and one of the
films in competition that they took a shine to was from the documentary
filmmaking team of Judd Apatow and Michael Bongiglio … Oscilloscope liked what
they saw and snatched it up for both theatrical and home entertainment
distribution.
Apatow and Bongiglio had previously collaborated on
an ESPN 30 For 30
segment titled Doc & Darryl, a
look at former New York Mets superstars, Dwight "Doc" Gooden and
Darryl Strawberry. On this second
go-round on the documentary filmmaking front the pair selected folk/rock
artists the Avett Brothers as their subject.
Titled May it Last: A Portrait of the Avett
Brothers, the film takes an intimate look
at the making of the group’s “True Sadness” album, which is set against the backdrop
of the rise and success of brothers Scott and Seth Avett over a 15-year period.
Oscilloscope took the documentary out theatrically
after its SXSW award-winning premiere to just eight selected arthouse venues in
the fall of 2017 where the film pulled in a remarkable $725,286 in box office
receipts … just eight theatres over a four-week window! The film had a contractual HBO showcase and
now, finally, on June 18 it will be available for fans to enjoy as both DVD and
Blu-ray product offerings.
For the record, the ARR comes in at a leisurely 641
days.
This 15-year long look at the group’s rise, ups and
downs saw them gains hree Grammy nominations and deliver 13 albums, with the
subject of the film, their latest work, “True Sadness,” hitting number one on both
the Rock and Folk charts and peaking at number three on the Billboard Top 200.
For fans of the Avett Brothers, May it
Last: A Portrait of the Avett Brothers, is an
absolute must-have come June 18. Bonus
features include the music video, “Morning Song,” a live performance of “I Wish
I Was,” deleted scenes and the recording session for “Satan Pulls the Strings.”
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