AGFA (aka: American Genre Film Archive) announced
this past week that they, in association with OCN Distribution, Vinegar
Syndrome and Bleeding Skull, will be releasing a Blu-ray edition of director
Dean Alioto’s 1989 production of The McPherson Tape
(aka: U.F.O. Abduction), on
Apr. 28.
The “found footage” sub-genre began in 1989 with this
indie-film from a first time director.
It went unnoticed at the time, but has now become the touchstone of the “found
footage” sub-genre … a full decade before filmmakers Daniel Myrick and Eduardo
Sánchez hit the goldmine of indie film releases with The Blair
Witch Project.
With U.F.O. Abduction,
Alioto came up with a limited-budget project that he could produce quickly use
as a calling card for future work. This
“calling card” turned out to be an inspired indie classic and a worthy addition
to any serious DVD and Blu-ray sci-fi and horror library.
The story is simple, which makes it all the more
remarkable. Michael Van Heese (played
by Dean Alioto, so that he could control the cinéma vérité presentation of the story in one-take) is videotaping
(8mm video stereo format — cutting edge at the time) his niece’s fifth birthday
party when the party attendees suddenly find themselves in the middle of an
alien encounter.
Shot in one take, just as if it were actually happening
(yes, Alioto reports that the amateur cast rehearsed what they were going to
do, much like a stage production), we witness the family discover “something”
outside, they investigate, spot a ship and three space visitors, shoot one,
drag it inside and, well, the remaining aliens come knocking. What follows proves to be a hopeless defense
… and the Van Heese clan vanish.
One take, perfect … Alioto has his calling card and
actually cuts a VHS distribution deal.
This is where the history of U.F.O.
Abduction gets really squirrely. VHS Screeners of Alioto’s film were actually
sent out to a few retailers (aka: rentailers) at the time.
Meanwhile, Axiom Films — the company that he had the
distribution deal with — had a “warehouse” fire and the master and all of
Alioto’s artwork for the film were lost.
True story.
A few years later, Alioto had moved on, but he gets
a phone call from some television producers who want to talk to him about using
the footage from his film. What?
It seems that one of the VHS rental stores, which
had received one of those screeners, edited off the credits and began sending
around copies of the mysterious tape to various U.F.O. aficionados as the real
thing.
This found footage tape of an
actual U.F.O. abduction was screened at the International U.F.O. Congress Convention
in Las Vegas in 1993, which was six years before The Blair
Witch Project was released theatrically.
Now, for the first time, The
McPherson Tape (aka: U.F.O.
Abduction) is available for viewing … you
can see what all of the U.F.O. buzz was about.
Alioto had the original master, Axiom had the replication master, and
AGFA has been able to access Alioto’s copy for the Blu-ray debut of the film
that started it all.
Bonus features include commentary from director Dean
Alioto, the 2017 director’s cut, the “Encounters” television segment that
featured Alioto and the Q&A session from Fantastic Fest.
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